How did you get into acting, and how is it different from modeling?
While I was modeling, a director I already knew suggested I give it a try, and I started with a short-form drama. If modeling is about expressing an emotion in a single moment, acting is about carrying it over a much longer breath.
What made you decide to work in China?
China has far more people than Korea, so I thought there would be more opportunities. I wanted to throw myself into a place where nobody knew me and find out what I was worth.
How did you learn Chinese, and what is hardest about acting in it?
I majored in Chinese at university, so I’ve always been interested in China. I was still new to acting, and doing it in Chinese meant looking up the pronunciation of every line before I could even start memorizing, with a lot of lines to get through. The hardest part, though, is emotion. Acting is about getting the feeling across, and Chinese dialogue carries culture and sentiment I don’t fully understand yet. I have to grasp that first, then bring it out in the performance.
Which set has stayed with you the most?
My most recent project, Mafia King. It wasn’t a lead role, but I wanted to act with more nuance than in my earlier work, so it’s the one I put the most effort into. Above all, I got to work with a great directing team and learned a lot on set.